佐藤理 (Osamu Sato)
Visual Artist, Designer, and Musician
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Related Exhibitions
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Solo Exhibition
2025.11.28 - 12.14
An exhibition by multimedia artist Osamu Sato, exploring “Cool” and “Cute” across two galleries in Kanda and Harajuku.
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Group Exhibition
2025.9.6 – 10.5
The theme is “Harajuku Diversity,” featuring primary works by 31 artists, including Dian, apapico, Yutaka Maeda, Irasema Ezcurdia, and others.
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Solo Exhibition
2024.12.13 - 2025.1.19
Known as a multimedia artist, Osamu Sato has begun creating in a truly multi-dimensional way. How many versions of Osamu Sato will you encounter?
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Group Exhibition
2024.9.6 - 9.29
The Harajuku Renaissance — Reframing Art Beyond Consumption
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Group Exhibition
2024.3.3 - 3.24
In its second edition, SOMSOC ART SHOW brings together 25 emerging artists across nationalities, generations, genres, and mediums
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Group Exhibition
2023.9.2 - 9.24
An art show that connects artists, collectors, and audiences beyond the idea of “not understanding”
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Group Exhibition
2022.8.5 - 8.14
Trees, the sea, and humanity — rethinking existence in the digital age
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Solo Exhibition
2025.11.28 - 12.14
An exhibition by multimedia artist Osamu Sato, exploring “Cool” and “Cute” across two galleries in Kanda and Harajuku.
-
Solo Exhibition
2024.12.13 - 2025.1.19
Known as a multimedia artist, Osamu Sato has begun creating in a truly multi-dimensional way. How many versions of Osamu Sato will you encounter?
-
Group Exhibition
2024.3.3 - 3.24
In its second edition, SOMSOC ART SHOW brings together 25 emerging artists across nationalities, generations, genres, and mediums
-
Group Exhibition
2022.8.5 - 8.14
Trees, the sea, and humanity — rethinking existence in the digital age
-
Group Exhibition
2025.9.6 – 10.5
The theme is “Harajuku Diversity,” featuring primary works by 31 artists, including Dian, apapico, Yutaka Maeda, Irasema Ezcurdia, and others.
-
Group Exhibition
2024.9.6 - 9.29
The Harajuku Renaissance — Reframing Art Beyond Consumption
-
Group Exhibition
2023.9.2 - 9.24
An art show that connects artists, collectors, and audiences beyond the idea of “not understanding”
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